{"id":27656,"date":"2025-08-29T12:11:00","date_gmt":"2025-08-29T10:11:00","guid":{"rendered":"https:\/\/sneakerspirit.courir.com\/en\/?p=27656"},"modified":"2025-08-29T12:11:02","modified_gmt":"2025-08-29T10:11:02","slug":"comme-des-garcons-black-a-color-alive","status":"publish","type":"post","link":"https:\/\/sneakerspirit.courir.com\/en\/comme-des-garcons-black-a-color-alive\/","title":{"rendered":"Comme des Gar\u00e7ons\u2019 black, a color alive"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>Since the 1980s, black has no longer been an absence of color. In <\/em><strong><em>Rei Kawakubo\u2019s<\/em><\/strong><em> hands, it becomes a language. A space for experimentation and transgression. At <\/em><strong><em>Comme des Gar\u00e7ons<\/em><\/strong><em>, this \u2018non-color\u2019 turns into a manifesto, a fertile ground for strange volumes, enigmatic silhouettes, and creations that blur the line between art and fashion. An immersion into a radical aesthetic where black, far from being neutral, reveals itself as vibrant, simmering, and above all unruly.<\/em><\/p>\n<\/blockquote>\n\n\n\n<p>When <strong>Comme des Gar\u00e7ons<\/strong> arrived in Paris in 1981 for its <strong>first Fashion Week show<\/strong>, Japanese fashion had yet to become an international phenomenon. Six years after opening her first boutique in Tokyo, <strong>Rei Kawakubo<\/strong> brought a new wave of energy to the French capital. A breath that has never ceased to spread.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"427\" height=\"640\" src=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-Fall-2014-13.jpeg\" alt=\"\" class=\"wp-image-27664\" srcset=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-Fall-2014-13.jpeg 427w, https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-Fall-2014-13-200x300.jpeg 200w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1022\" src=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-Fall-2014-23.jpeg\" alt=\"\" class=\"wp-image-27663\" srcset=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-Fall-2014-23.jpeg 683w, https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-Fall-2014-23-200x300.jpeg 200w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<p>From that very first show, <strong>the tone was set<\/strong>: a pared-down palette, asymmetrical cuts, deliberately distressed fabrics. The shock was immediate. Black asserted itself not as an absence, but as <strong>a silent cry.<\/strong> The press spoke of \u2018Hiroshima chic\u2019; a debatable expression, yet one that revealed the aesthetic upheaval triggered by Kawakubo. Within just a few seasons, she became the <strong>emblem of the anti-fashion movement of the 1980s<\/strong>. A current that sought not to seduce, but to question.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Shaking up the codes: clothing as language<\/strong><br><\/h2>\n\n\n\n<p>Behind <strong>Comme des Gar\u00e7ons<\/strong> lies a clear intention: to <strong>deconstruct<\/strong> what we think we know about clothing. Rei Kawakubo does not follow trends; she bends them, strips them down, and reassembles them anew.<\/p>\n\n\n\n<p>For her, the body is not to be flattered, but to be questioned. <strong>Volumes are added<\/strong>, <strong>lines are distorted<\/strong>, asymmetries are explored. Clothing becomes a <strong>ritual<\/strong>, often reminiscent of a monastic wardrobe.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"1004\" src=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-ads-13.jpeg\" alt=\"\" class=\"wp-image-27660\" srcset=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-ads-13.jpeg 750w, https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-ads-13-224x300.jpeg 224w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"682\" src=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-ads-23.jpeg\" alt=\"\" class=\"wp-image-27659\" srcset=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-ads-23.jpeg 500w, https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-ads-23-220x300.jpeg 220w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-ads-33.jpeg\" alt=\"\" class=\"wp-image-27658\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>An emblematic example: the 1997 collection <strong>Dress Meets Body, Body Meets Dress<\/strong>. A striking reflection on the female body and motherhood. Inflated silhouettes, artificial lumps, unexpected forms. The body becomes a <strong>medium<\/strong>, a true playground.<\/p>\n\n\n\n<p>In the 1980s, the press described Kawakubo\u2019s work as a \u2018<strong>New Wave Beauty<\/strong>.\u2019 A decentered, <strong>raw beauty<\/strong>, often seen as strange or unsettling through Western standards. For at Comme des Gar\u00e7ons, <strong>clothing is political<\/strong>, positioned at the crossroads of <strong>sociology<\/strong>, <strong>contemporary art,<\/strong> and <strong>textile experimentation.<\/strong><\/p>\n\n\n\n<p>And the performance goes far beyond clothing. <strong>Jean-Michel Basquiat<\/strong> walked for the brand in 1987. Later, it was cult actor-director <strong>Dennis Hopper<\/strong> who took to the runway. The casting itself became an artistic movement.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Black, a neutral color?<\/strong><\/h2>\n\n\n\n<p>More than an aesthetic choice, <strong>black becomes the signature of Comme des Gar\u00e7ons<\/strong>. It is even placed at the center of a dedicated line: <strong>Comme des Gar\u00e7ons Black<\/strong>, launched in 2009 amid the economic crisis, as a return to the brand\u2019s fundamentals.\u201d.<\/p>\n\n\n\n<p>Far from the idea of black as neutral, muted, or funereal, <strong>Rei Kawakubo treats it as a living material<\/strong>. She explores its many shades, from charcoal to blue-tinged black, from matte to glossy, from sheer to dense. As historian <strong>Michel Pastoureau<\/strong> puts it: <em>\u2018Black is a fertile color.\u2019<\/em> And therein lies the paradox: <strong>a color long associated with death becomes, at Comme des Gar\u00e7ons<\/strong>, <strong>a symbol of life<\/strong>, creation, and raw energy. A blank field to be reimagined each season: in short, a space of freedom.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-2023-13-682x1024.jpeg\" alt=\"\" class=\"wp-image-27662\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-2023-23-683x1024.jpeg\" alt=\"\" class=\"wp-image-27661\" srcset=\"https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-2023-23-683x1024.jpeg 683w, https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-2023-23-200x300.jpeg 200w, https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-2023-23-768x1152.jpeg 768w, https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-2023-23-1024x1536.jpeg 1024w, https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-2023-23-1080x1620.jpeg 1080w, https:\/\/sneakerspirit.courir.com\/en\/wp-content\/uploads\/sites\/4\/2025\/08\/CDG-2023-23.jpeg 1200w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>\u201cThe black of Comme des Gar\u00e7ons also converses with other figures of avant-garde fashion, such as <strong>Yohji Yamamoto<\/strong> or <strong>Ann Demeulemeester<\/strong>, who likewise turned this shade into a tool of storytelling. For Kawakubo, black does not symbolize retreat but assertion. It offers a way to escape diktats, to dress without revealing. In this sense, it embodies a <strong>form of resistance<\/strong>, against over-consumption, against the ephemeral. A black that is full, dense, inhabited, clothing the spirit as much as the body.<\/p>\n\n\n\n<p>At Comme des Gar\u00e7ons, black <strong>questions, disturbs, provokes<\/strong>. It serves as the canvas for a radical vision of fashion, one where clothing seeks neither to flatter nor to reassure, but to make us think. In a world saturated with images and color, Rei Kawakubo continues to make black a manifesto: <strong>that of a fashion that is free, profound, and unruly.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since the 1980s, black has no longer been an absence of color. In Rei Kawakubo\u2019s hands, it becomes a language. A space for experimentation and transgression. At Comme des Gar\u00e7ons, this \u2018non-color\u2019 turns into a manifesto, a fertile ground for strange volumes, enigmatic silhouettes, and creations that blur the line between art and fashion. An [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":27662,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[452,122],"tags":[562,681,502,454,481,682],"class_list":["post-27656","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-brands","category-fashion","tag-comme-des-garcons","tag-comme-des-garcons-black","tag-fashion-week","tag-paris-fashion-week","tag-pfw-2","tag-rei-kawakubo","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Comme des Gar\u00e7ons\u2019 black, a color alive - Sneaker Spirit<\/title>\n<meta name=\"description\" content=\"\u201cAt Comme des Gar\u00e7ons, black is a field of experimentation. 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