{"id":28421,"date":"2025-12-29T11:34:28","date_gmt":"2025-12-29T10:34:28","guid":{"rendered":"https:\/\/sneakerspirit.courir.com\/en\/?p=28421"},"modified":"2025-12-29T11:34:30","modified_gmt":"2025-12-29T10:34:30","slug":"what-should-we-take-away-from-the-year-2025-in-fashion","status":"publish","type":"post","link":"https:\/\/sneakerspirit.courir.com\/en\/what-should-we-take-away-from-the-year-2025-in-fashion\/","title":{"rendered":"What should we take away from the year 2025 in fashion?"},"content":{"rendered":"\n
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2025 was a particularly eventful year for fashion. Artificial intelligence integrated into creative processes, unexpected collaborations, controversial campaigns, and the reissue of cult pieces shaped a year marked by heavily mediatized highlights. While the second-hand market continued to grow, Shein\u2019s arrival at BHV Marais sparked heated debate, highlighting the contradictions of a sector torn between commercial appeal, image, and ethics. More than ever, fashion goes beyond clothing alone: it is written simultaneously on runways and screens, shaped by the logic of digital platforms.<\/em><\/p>\n<\/blockquote>\n\n\n\n

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Luxury houses: the era of permanent transitions<\/strong><\/h2>\n\n\n\n

The year 2025 extends and intensifies a movement that began in previous seasons: a near-constant game of musical chairs at the helm of major fashion houses. No sooner is one appointment announced than another follows,<\/strong> giving the impression of an industry in perpetual rewriting. A symbol of this instability, Dario Vitale<\/strong> recently announced his departure from Versace<\/strong> after just eight months as creative director. A few days earlier, Olivier Rousteing<\/strong><\/a> left Balmain<\/strong>, closing a major chapter in the house\u2019s recent history.<\/p>\n\n\n\n

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If departures signal breaks, arrivals have broadened the field of possibilities. <\/strong>Matthieu Blazy\u2019s<\/strong><\/a> arrival at Chanel<\/strong> has crystallized strong expectations: those of a renewal able to engage with the house\u2019s heritage while remaining firmly rooted in the present. At Bottega Veneta<\/strong>, Louise Trotter\u2019s<\/strong> appointment stands out as one of the most coherent transitions of the year.<\/p>\n\n\n\n

By contrast, Jonathan Anderson\u2019s<\/strong> departure from Loewe<\/strong> left a noticeable void. The house\u2019s momentum appears to have slowed slightly, particularly visible in its decline in popularity. The contrast is striking with Saint Laurent<\/strong> which, under the steady direction of Anthony Vaccarello<\/strong>, continues its upward trajectory and more than ever stands out as one of the most desirable brands of the moment.<\/p>\n\n\n\n

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2025 and its new fashion fetishes<\/strong><\/h2>\n\n\n\n

Against the grain of a fashion world dominated by storytelling and image, certain pieces assert themselves through functionality as much as visibility. Running<\/em> and trail<\/em> shoes have firmly entered everyday wear, driven by a search for comfort as well as by brands\u2019 ability to turn technical references into cultural markers.<\/strong> Nike<\/strong> has regained a central place in the media landscape, mainly through targeted collaborations such as the one with Jacquemus<\/strong>, which redefine the boundaries between performance, image, and use.<\/strong><\/p>\n\n\n\n

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\u201cOnce an it-bag, always an it-bag<\/em>\u201d<\/p>\n<\/blockquote>\n\n\n\n

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Chlo\u00e9\u2019s Paddington bag<\/strong>, reissued under the direction of Chemena Kamali<\/strong>, perfectly illustrates this fascination with pieces from the 2010s. According to the Lyst 2025 report<\/em>, searches for the bag jumped by +570%<\/strong> following its relaunch, placing it among the most sought-after accessories of the year. This visibility reflects both an attachment to classics and their appropriation by a new generation of buyers and influential figures. At the same time, loafers<\/strong>, particularly those by Saint Laurent<\/strong> and The Row<\/strong> have also seen a spectacular rise in searches, becoming must-have pieces.<\/p>\n\n\n\n

But 2025 is not limited to classics: the Labubu figures, which have taken over social media feeds, have become true generational symbols. They reflect a fascination with playful almost childlike objects, reminding us that fashion is no longer measured solely in clothing, but also in talismans and charms.<\/p>\n\n\n\n

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A fashion landscape less centered on European capitals<\/strong><\/h2>\n\n\n\n

Finally, 2025 marks a clearer opening towards scenes long considered peripheral. Growing interest in non-Western brands, such as Fanc\u00ec Club<\/strong><\/a>, a Vietnamese label based in Ho Chi Minh City, reflects this shift. The Dubai and Shanghai Fashion Weeks are also gaining credibility and visibility, gradually establishing themselves as platforms to watch.<\/p>\n\n\n\n

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This decentralization dynamic is also visible in France<\/strong>, with the first edition of Marseille\u2019s Slow Fashion Week.<\/strong><\/a> Designed on the fringes of traditional Parisian circuits, it offers another way of approaching creation<\/strong>: more local, more committed, but also more playful. Runway shows are no longer the only activities on the program, with talks<\/em> and even workshops enriching this one-of-a-kind week.
Ultimately, 2025 will not have been the year of a spectacular revolution, but rather one of profound adjustment<\/strong>. A fashion industry that slows down in some places, weakens in others, yet above all seeks to redefine what truly makes sense today: designers under close scrutiny, products built to last, and a gaze that finally extends beyond the (former) fashion capitals. A transition, certainly but perhaps a more conscious one than before.<\/p>\n","protected":false},"excerpt":{"rendered":"

2025 was a particularly eventful year for fashion. Artificial intelligence integrated into creative processes, unexpected collaborations, controversial campaigns, and the reissue of cult pieces shaped a year marked by heavily mediatized highlights. While the second-hand market continued to grow, Shein\u2019s arrival at BHV Marais sparked heated debate, highlighting the contradictions of a sector torn between […]<\/p>\n","protected":false},"author":24,"featured_media":28424,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[452,122],"tags":[439,471,934,935,529,502,173,454],"class_list":["post-28421","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-brands","category-fashion","tag-pfw","tag-chanel","tag-chanel-metiers-dart","tag-chloe-paddington","tag-fanci-club","tag-fashion-week","tag-paris","tag-paris-fashion-week","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nWhat should we take away from the year 2025 in fashion? - Sneaker Spirit<\/title>\n<meta name=\"description\" content=\"The year 2025 was a busy one for the fashion world, with Shein at BHV, the Labubu figures becoming cult favorites, the reissue of Chlo\u00e9\u2019s Paddington bag, and nominations galore. 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